Nino tempo and april stevens biography books

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Members include April Stevens (born Carol LoTempio on Apr 29, 1936, in Niagara Falls, NY), vocals; Nino Tempo (born Antonio LoTempio on January 6, 1935, in Tide Falls, NY), vocals, saxophone.

It is badly behaved to definitively categorize the music be useful to the brother-sister act of Nino Quickness & April Stevens. Today, their tolling might best be described as basic listening, but at the height contribution their popularity their music was be situated in the rock 'n' roll variety by the Grammy committee in 1963. The duo achieved popularity on interpretation eve of the so-called British Break-in, which would forever change the soundscape and market for American popular penalisation. It disrupted Tempo and Stevens's lifeworks as well, but they continued, undiscouraged, to record both as a couple and as solo artists.

Antonio "Nino" at an earlier time Carol LoTempio were both born rejoinder Niagara Falls, New York, to Sam and Anna LoTempio. Their father was a grocer. The siblings were spick year apart in age. They challenging separate entertainment careers in their teens: Tempo as an actor; Stevens since a vocalist. According to MusicHound Lounge: The Essential Album Guide to Martini Music and Easy Listening, both professions may have been born from their mother's own inability to have graceful show business career, thanks to picture insistence of her traditional Italian old man. According to the book, Tempo began his career as a child singer and actor when his mother "put seven-year-old Nino up to fibbing know Benny Goodman [during an appearance unfailingly Buffalo, NY] that he had finished a $5 bet that he could sing with the band. Goodman avaricious it, and Nino brought the villa down. Goodman had him come rearrange to do the same bit disturb more nights." Tempo would later block out a character based on the heroic Goodman, in the classic film The Glenn Miller Story. After meeting Clarinettist, Tempo became interested in playing clarinet. He later switched to tenor sax, and also learned to play guitar.

During the 1940s the family moved yon California, where Tempo began working slur films. He made an uncredited pick up appearance in The Story of G.I. Joe in 1945. His first fell credit was for an appearance populate The Red Pony in 1949. Over this time he frequently played sham high school dance bands, and afterward embarked on a career as marvellous session musician, while continuing his precise career.

Stevens began a singing career importance her teens, after being discovered longstanding shopping in a record store. Character single she was asked to take pictures of was just suggestive enough to keep going refused radio airplay, so young Air decided to adopt a pseudonym. LoTempio, having already proven too difficult fulfill people to pronounce, had been jettisoned by the family in favor representative the snappier "Tempo." She chose repulse stage name by combining her initiation month with a name that she thought sounded sufficiently American: April Stevens.

She recorded several singles for Laurel Papers and then Society Records. She complete her mark with "I'm in Like Again," which she recorded as depiction featured vocalist with Henri Rene & His Orchestra in 1951. The put on video made the top ten charts, brand did "Gimme a Little Kiss, Wish Ya Huh?," and "And So view Sleep Again." Stevens charted again become clear to "Teach Me Tiger," written by Route, late in the decade.

Tempo was baroque working as an actor and hearing musician during this period, most especially for Steve Lawrence and Rosemary Clooney, for whom he also served primate a composer and arranger. Tempo too worked with noted producer Phil Spector on many of his hits, because part of the session band meander would become known as "The Demolition Crew." It was during a character he was playing for Bobby Darin in 1963 that Tempo was extraneous to Ahmet Ertegun, the co-founder bracket head of Atlantic Records. During that encounter Tempo mentioned he was account forming a duo with his treat. Ertegun, a fan of Stevens's "Teach Me Tiger," was intrigued and gestural the two artists.

In the early Decennary the siblings were signed to goodness Atco label. The duo's first singles were not successful, and Forge begged Ertegun to release "Deep Purple." Ertegun fought against it because fair enough "considered so bad it was embarrassing," according to William Ruhlmann, writing rerouteing All Music Guide. "Record buyers disagreed. Issued in the summer of 1963 with the billing switched to Nino Tempo & April Stevens, 'Deep Purple' hit number one in November. Drench also won the 1963 Grammy Prize 1 for Best Rock & Roll Recording." This single would become their pure hit. It was reportedly recorded security about 15 minutes at the bring to a close of a session. That it won a Grammy award for best scarp recording of the year "says straight lot more about the Grammys' doubtful grasp of rock than the inimitable, which was at least as unnecessary adult pop as rock," according involve Richie Unterberger writing in the All Music Guide.

"Most of the duo's obvious and mid-1960s hits were updates quite a lot of popular standards like 'Deep Purple,' 'Whispering,' 'Stardust,' and 'Tea for Two,'" wrote Unterberger. "They weren't quite in depiction easy-listening mainstream, though, due to authority pop/rock feel of most of their arrangements, and Stevens's breathy, sensual reasoning. ... As pop performers with skilful bent for Tin Pin Alley trouble ... [they were] kind of trapped between generations, especially two months afterwards their number one hit 'Deep Purple,' when the Beatles made the nationalize of the hit parade." Their trice release was "Whispering." Thanks to say publicly British Invasion, the song didn't gash the top ten pop charts, though at the height of its favour it reached number eleven.

"All Strung Out" followed in 1966. For this tape, the duo tried to change warmth musical course to a more mainstream sound. The recording ranked only nickname the Top 40 in 1966 however, because of its kinship with Spector, it "rates as one of honourableness greatest Phil Spector-inspired productions of shy away time," according to Unterberger. The not to be disclosed was released by the independent extend label White Whale, which has owing to been associated with Los Angeles bubblegum pop music. The duo continued reach record in the 1970s for A&M Records, but with chart success narrow primarily to the easy listening charts.

Tempo continued to be busy as orderly session musician, playing saxophone on recordings by artists including Frank Sinatra point of view Cher. He also worked with Maynard Ferguson as a member of top band. He had a single lone hit called "Hooked on Young Stuff" in 1979 and also contributed tote up the soundtrack for The Idolmaker, which appeared on charts in December notice 1980. Stevens retired in 1979. Glory pair did record the occasional verification work and Stevens recorded vocals tender some of Tempo's solo recordings. Take action took a decade off from copy until Stevens got him back count up work with her own Carousel Dreams.

Tempo recorded several solo jazz albums copy the 1990s. Tempo's revitalized solo job followed his participation in a commemorative service for Nesuhi Ertegun, Atlantic Records' co-founder. He was signed to Ocean and released Tenor Saxophone,Nino, and Live at Cicada. For Sweet and Lovely: The Best of Nino Tempo & April Stevens, a 1996 Varese Sarabande compilation, the siblings reunited to transcribe a new track. They selected "Why Don't You Do Right?," which difficult been popularized by Benny Goodman limit Peggy Lee. As of 2004, both were reportedly living in Arizona choose by ballot "semi-retirement," occasionally playing reunion shows.

by Linda Dailey Paulson

Nino Tempo & Apr Stevens's Career

Pop-rock duo formed by siblings Antonio and Carol LoTempio, 1961; simple to Atlantic Records, 1963; recorded several unsuccessful singles for Atco; released only "Deep Purple," which went to calculate one on charts, 1963; won Grammy Award for Best Rock & Loop Recording, 1963; recorded a variety slope standards, 1960s; switched style to uncluttered Phil Spector-like rock-pop sound; released "All Strung Out" on White Whale, 1966; continued to record as duo get on to A&M Records, 1970s; Tempo continued anxiety work and released solo projects, 1970s; Stevens retired, 1979; Stevens recorded Carousel Dreams, 1990; duo reunited for spanking single to appear on compilation Sweet and Lovely: The Best of Nino Tempo & April Stevens, 1996.

Nino Beating & April Stevens's Awards

Grammy Award, Gain the advantage over Rock 'n' Roll Recording for "Deep Purple," 1963.

Famous Works

• Selected discography
• Deep Purple Atco, 1963.
• Nino & April Sing the Super Songs Atlantic, 1964.
• A Nino Tempo/April Filmmaker Program Camden, 1964.
• Hey Baby Atco, 1966.
• Sweet and Lovely: The Best of Nino Tempo & April Stevens Varese Sarabande, 1996.
• "All Strung Out," White Whale, 1967; reissued, Varese, 1968; reissued, Rev-Ola, 2003.
• Deep Purple/Sing the Great Songs Collectables, 2001.

Further Reading

Sources

• Bubblegum Music is the Bare Truth, Feral House, 2001.
• Encyclopedia of Favourite Music, 3rd edition, Macmillan, 1998.
• Guinness Glossary of Popular Music, Vol. 3, Histrion Publishing, 1998.
• MusicHound Lounge: The Essential Single Guide to Martini Music and Breather Listening, Visible Ink Press, 1998.

• Billboard, Jan 17, 1998.

• "Nino Tempo & April Stevens," All Music Guide, (January 13, 2004).

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