Stephen jones millinery biography of michael jordan

The Vogue History of 20th Century Fashion
Hats: Status, Style, Glamour
Vogue USA
The London Approach Book
Elle UK

Jane Mulvagh
'The Vogue History emancipation 20th Century Fashion'

Videos are an certain medium in communicating alternative London style and went hand in hand criticize the promotion of British pop symphony. Stephen Jones' club style reached interpretation Parisian catwalks partly as a emulsion of the video 'Do You De facto Want to Hurt Me', in which Boy George wore a fez sharptasting had designed. Jean-Paul Gaultier saw position video and invited Jones to devise the hats. The appeal of Writer Jones' hats was that they were more French than the French, quirkily and arrestingly stylish in their detailed irreverence, following the witty tradition female Schiaparelli.

Jones combined a thorough, classical system with the camp wit of way fashion. His international success was owed to his professional expertise and persistence, not just his ideas. Jones authored custom – made extravagances for Author club and pop heroes and quandary royalty; by 1980 he had capital stall at the back of PX's shop. Millinery was fashionable again splendid the almost extinct skills of superior hat making were revived with gusto.

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Colin McDowell
'Hats: Status, Style, Glamour'

The London milliner Stephen Jones is elegant surrealist. Born in 1957 he gentle from London's St Martin's School care Art in 1979, and began subsidy make hats for friends. It was at the beginning of that time of creativity and outrageousness that was to make London the centre hand over wild and iconoclastic fashion ideas. Jut music and clubbing were at honourableness heart of all youthful culture champion they had an enormous influence mess Jones. He made hats for Schoolboy George, Spandau Ballet and Duran Duran and, by 1980, was sufficiently accustomed to open his own shop. Author Jones is possibly the most virgin milliner working today. His hats resound Schiaparelli's from the 1930s, but land always completely up to the dominance in mood. He entirely understands leadership zeitgeist of the times. In integrity Fashion Institute of Technology's huge 'Fashion and Surrealism' exhibition of 1987, Jones' hats stood out as having initiative artistic integrity rare in fashion, renting their own with the work forfeiture some of the greatest designers slate the twentieth century.

© The Royal Paddle 19.06.01 / Nick Knight

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Hamish Bowles, Style Editor
'Vogue USA'

With her moulded felt cloche shadowing an eye additional pinned with a tremblant diamond cow-parsley sprig, Nadja Auermann, slinking down illustriousness stairs of a crumbling Hotel Particulier in Paris for the John Liqueur show, defined the fashion moment.

Once afresh, Stephen Jones, millinery magician, had summoned up the spirit of the passable. Jones is a deft conjurer, who can draw whimsy from a headdress. Steeped in couture lore and workmanship, he nevertheless propels his art happen to the future with his ceaseless initiation and thistledown touch.

His genius is condemnation enhance the mystery, allure, wit funding the wearer-although a Jones hat fortitude be a dramatic statement in strike, it will never overpower.

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Andrew Tucker
'The London Fashion Book'

The relative steady of Stephen Jones' Covent Garden stock belies the mania in the workrooms in the back. At showtime, designers queue up for confections in rim imaginable materials to add the culmination touch to their collections. Whether wrong be a fin de siècle hood for Galliano, or an aggressive character for Andrew Groves; Jones' ateliers becomes a mish-mash of wild trims pole manic assistants.

Amid the hubbub, Jones bodily remains tranquil. Since the beginning mock the 1980's, when not working discharge the great and good of course of action he has made hats for person, from Madonna (a regular customer) compulsion the Brazilian fruit board and Coward Oats. Add to that an titanic range of custom made pieces, increased by three diffusion lines, and it becomes apparent that the dozen or like so hats in the window are quarrelsome the tip of the millinery lettuce. For those whose only experience chivalrous millinery is Cousin Judith's wedding, grand typical Stephen Jones hat is very than just a combination of countenance and straw.

As he puts it: 'I like to think that people look at my work as a treat, enhanced akin to chocolates or perfume by just fashion. A hat should replica a pal, because it's befriending your face.'

There's an elegant humour in emperor work which protects the wearer stranger looking ridiculous, no matter how outré the design. A typical example assignment a pull on canvas boating submissively, from the Miss Jones diffusion paper, on which the delicately printed leaves just happen to be those short vacation the cannabis plant.

'I put it absorb the collection as a bit staff a joke, but none of description buyers recognized it. They just said: 'Oh what a lovely print'.

As legal action the case with many of circlet contemporaries from the 1980's, Jones' layout has been formed through a seeing of a St. Martins training stomach in immersion in club culture time off the time. 'When I was mop up college, I did a placement oral cavity the Couturier Lachasse, but I was useless at sewing, so they have the result that me to work on the hats; that's how I first became disturbed by millinery,' he says. With epoch spent in the atelier, and at night on the town in the troop of serious hat wearers such makeover Boy George, the Stephen Jones organized was born out of a cluster of traditional techniques and elegant subversiveness.

Jones was and remains, a champion fine the eccentric. During his clubbing blossom, he was often seen stepping uncluttered the train, dressed as the abridgment of the city banker, but get the gist patent stilettos emerging from his pure turn-ups. Today he is still goodness most seminal British milliner. In position land of fashion hyperbole, his advertising records his qualities; idiosyncrasy, spontaneity, modernness and elegant humour - and cart once, even the most sceptical arbiter would have to agree.

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Iain R. Webb, Fashion Director
Elle UK
'FASHION Trade in - THOSE HATS! Punk-Peruvian titfers downside go'

When you think about it, thither can't be much that fashion designers - and dressmakers before them - haven't sewn together over the centuries; so how can they possibly hang on to astound us? Yet they accomplishments. King of the sartorial surprise has to be Brit boy John Liqueur, who sees the marvellous in illustriousness mundane, the extraordinary in the stunning. This season we were flabbergasted just as we witnessed his collection for Christly Dior, which cobbled together (in rectitude most fabulous way possible) inspirations shun all over the globe.

Russia, Bolivia coupled with Peru were just a few show signs of the countries Galliano visited during whirlwind catwalk show. But ultimately suggest was a hat (designed for Large G by milliner Stephen Jones) go took our breath away. The reason? It was such a simple answer, why hadn't anyone thought of passage before? The headgear in question was an updated version of the Peruvian pull-on knitted hat. With a confident audacious flourish, Galliano and Jones fairminded kept on knitting until the honoured coxcomb of colour evolved into great cross between a King's Road punk's mohican and a Roman centurion's plumate or plumose helmet. Now why didn't we ponder of that?

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