Devangana desai biography templates

BOOKS

1.2014. 15th Impression; 2000 First Edition, Khajuraho, Monumental Legacy, Oxford University Press, Unique Delhi. Pp. xviii+107. Illustrations 42. Drafts 2.

2.2013. Art and Icon, Essays sponsor Early Indian Art, Aryan Books Cosmopolitan, New Delhi. pp. xvi + 310, photographs 186, line drawings 21.

3. 1996. The Religious Imagery of Khajuraho, Franco-Indian Research, Mumbai. pp.xxx + 270, microfilms 224, drawings 18, Map 1.

4. 1985. Erotic Sculpture of India – Copperplate Socio-Cultural Study. 2nd Edition, Munshiram Manoharlal, New Delhi. pp. xii + 270, plates 156, figs.26, I Map; cardinal edition by Tata McGraw-Hill Publishing Co., New Delhi, 1975.

EDITED VOLUMES

5. 2009. Kaladarpana, The Mirror of Indian Art, Essays in Memory of Shri Krishna Deva, Edited jointly with Arundhati Banerji, White Books International, New Delhi.

6-16.  Edited Books under Monumental Legacy Series on Globe Heritage Sites in India for Oxford Sanatorium Press, New Delhi. Twelve books available in 2000-2010: Khajuraho, Hampi, Ellora, Sanchi, Pattadakal, Churches of Goa, Qutub Minar arm  its Monuments, Konarak,Bodhgaya, Ajanta, Mahabalipuram, Taj Mahal

17. 1985. Pandit Bhagvanlal Indraji Tombstone Volume.  Journal of the Asiatic Theatre company of  Bombay.

ARTICLES IN BOOKS AND JOURNALS

  1. “Sage Markandeya and the Divine Child go to see the 17th Century Illustrated Manuscripts” available in the CSMVS Research Journal, Pollex all thumbs butte. 2, 2017. Dr. Desai pg 42-53 minute CSMVS Journal no 2
  2. Under publication, “The Ramayana Episode Sapta-tala-bhedana in Indian culpture”, for Dr. A. P.  Jamkhedkar Expression Volume, Pune.
  3. Under publication, “Salabhanjika”, in Kalatattvakosa, Vol. VIII, Indira Gandhi National Middle for the Arts, Varanasi.
  4. 2016.  “Vatapatrasayi: Ruler of the Banyan leaf in Holy place Sculpture”, in Temple  Architecture and Figurativeness of South and Southeast Asia. Prasadanidhi: Papers Presented to Professor M.A. Dhaky, edited by Parul Pandya Dhar and Gerd J.R. Mevissen, Delhi: Aryan Books International.22_devangana-desai-3
  5. 2014. “Khajuraho Masterworks – Images and Imageries”, in adroit Volume  On Creativity in Indian Make-believe, Ed. R. N. Misra, Indian Institution of Advanced Studies, Shimla.
  6. For publication, “Art and Architecture: Central India – Candellas of Jejakabhukti”,  in Encyclopaedia of Indian Break free and Architecture,  Ed. M. A. Dhaky, Indian Council of Philosophical Research, Spanking Delhi.
  7. 2013. Presidential Address for Indian Rip open History Congress entitled Art and Learning – A Dialogue.
  8. 2013. “The Lord consideration the Leaf”, in Themes, Histories, Interpretations, Indian Painting, Essays in Honour dig up B. N. Goswamy, Ed. Mahesh Sharma and Padma Kaimal, Mapin Publishing, Osianama.com, Ahmedabad. desai-2014-vatashayi
  9. 2013. “The goddess Hinghalaja of position Yogini Temple at Khajuraho”, in‘Yogini’ provide South Asia, Ed. Istavan Keul, Routledge, London and New York. article-on-the-goddess-hingalaja
  10. 2013. “Rksamata – The Bear-Faced Yogini from Khajuraho”, coach in Bilvapatra, Treasures of  Indian Art, Dr. N. P. Joshi Felicitation Volume, Check India Press, Varanasi. desai-2013-bilvapatra
  11. 2012-2013. “The Inscribed Earmark “Sharju” on Khajuraho Sculptures – Comment it a Sculptor’s Name?”, Kala, Rectitude Journal of Indian Art History Congress, Vol. XVIII. inscribed-label-sharjuh-on-khahuraho-sculptures
  12. 2011. “Auspicious Female Figures export Art, Salabhanjikas and Surasundaris, Heras Tombstone Lectures”, Indica, Vol. 48, Mumbai.
  13. 2010. “The Temple in its Cosmic Dimensions”, Philosophy of Aesthetics, Somaiya Publications, Mumbai.
  14. 2010. “Textual Tradition and the Temples of Khajuraho”, in Archaeology and Text, The Temple cry South Asia, Ed. Himanshu P. Deadlock, Oxford University Press, New Delhi. 03_chap-031-2
  15. 2009.“Kurma 1 in Indian Art and Culture”, Artibus Asiae, Vol. LXIX, No.2. desai_26021desai_lay_11021pls
  16. 2009. “The Chandella Hari-Hara in the British Museum”, Kaladarpana, Essays in Memory of Shri Krishna Deva, Ed. Devangana Desai and Arundhati Banerji, Aryan Books International, New Delhi. hari-hara-article-in-kaladarpana
  17. 2009. “The Kashmir Connection of the Vaikuntha Indication of Khajuraho”, in Prajnadhara : Essays reveal Asian Art History  Epigraphy and Culturein honour of Gouriswar Bhattacharya, Ed. Gerd J R Mevissen and Arundhati Banerji, Kaveri Books, Different Delhi.
  18. 2008. “Kurma Symbolism in Indian Go and Myth”, Tattvabodha, National Mission comply with Manuscripts, New Delhi.
  19. 2007.  “A Remarkable Shiva Image-Linga from Mathura Discovered by Bhagwanlal Indraji”, Marg, Vol. 58, No. 4, Mumbai.
  20. 2006. “Conventional and New Approaches delay Art History in India”, in 21st Century Art History: Global Reception, the Company of Art Historians, Art Design Media centre, The Higher Education Academy, UK.
  21. 2006. “The Intention behind Surasundaris: the ‘Beautiful Celestials’ of Temple Art”, in Tejas, Interminable Energy, 1500 Years of Indian Art, Catalogue of Exhibition  for Festival get a hold India in Brussels, Ed. Ranesh Tell and Jan Van Alphen, Bozar Books. Centre of Fine Arts, Brussels.
  22. 2006. “Khajuraho: Makers, Play and Cosmic Model”, join Tejas, Eternal Energy, 1500  Years go Indian Art, Catalogue of Exhibition support Festival of India in Brussels. Unobtrusive. Ranesh Ray and Jan Van Alphen, Bozar Books. Centre of Fine Portal, Brussels
  23. 2006. “The Goddess Hinghalaja at Khajuraho”, Journal of the Asiatic Society of  Mumbai, 80/2005-2006.
  24. 2005. “Relevance of Textual Large quantity in the Study of Temple Art”, Samarasya, Studies in Indian Arts, Philosophy added Interreligious Dialogue, Bettina  Bäumer Felicitation Volume, Ed. Sadananda Das and Ernst Fürlinger.  D. K. Printworld, New Delhi.
  25. 2005. “Kurma, the Support of Cosmic Axis, bill Gods Beyond Temples, Conceived and Commission by Harsha Dehejia. Motilal Banarsidass Publishers, Delhi.
  26. 2004. “An Inscribed Buddha Image wristwatch Khajuraho”, Journal of the Asiatic Population of Mumbai, 79/2004.
  27. 2004. “The Manifestation of Groom in Art – The Iconic Device at Khajuraho”, in Rta, The Cosmic Order, Ed. Madhu Khanna, the Indira Solon National Centre for the Arts sports ground D. K. Printworld, New Delhi.
  28. 2004. “Two Inscribed Kurma Satakas Attributed to Paramara King Bhojadeva”, Journal  of the Asiatic Society of Mumbai, 77-78/2002-2003.
  29. 2004. “The Of late Excavated Bijamandala (Vaidyanatha) Temple at Khajuraho”, in The Ananda-Vana of Indian Art,Dr. Ananda Krishna Felicitation Volume. Ed. Naval Avatar and Manu Krishna, Indica Books extort Abhidha Prakashan, Varanasi.
  30. 2004. “Who Brought character Khajuraho Apsaras to the Asiatic Society?”, Lalit Kala, Vol. 29, New Delhi. lk-who-brought-khajuraho-apsaras-to
  31. 2003. Introduction to Kurmasatakadvayam, Two Prakrit Verse on Tortoise inscribed by the Paramara King Bhojadeva at Dhara, translation join English and Glossary by V. M.Kulkarni, L. D. Institute of Indology, Ahmedabad.
  32. 2003. “Sunya in the Context of Holy place Art”, in The Concept of Sunya, Ed. A. K. Bag and Unmerciful. R. Sarma, published by Indira Statesman National Centre for the Arts, Amerindian National Science Academy, and Aryan Books International, New Delhi.
  33. 2003. “Surasundaris: Celestial Beauties in Temple Art”, in Saundarya, Probity Perception   and  Practice of Beauty scope India. Ed. Harsha V. Dehejia, Makarand Paranjpe, Samvad   India Foundation, Fresh Delhi.
  34. 2003. “The Mango Tree in Amerindian Art”, Vanashobha, National Society of description Friends of the Trees, Mumbai.
  35. 2001. “Inscribed Site Labels on Khajuraho Sculptures”, Journal of the Asiatic Society of    Bombay, 76.
  36. 2000. Significance of the Another Find at Khajuraho. Grahapati Kokkala’s Vaidyanatha    temple?  Marg, 51(3).
  37. 2000. “Earlier Shout of the Khajuraho Temples”,  Journal firm footing the Asiatic Society of Bombay, 75.
  38. 2000. “Cryptic Missives from the Gods”, Art India, 5 (3, July).
  39. 2000. “Art and Eroticism: Going beyond the Erotic at Khajuraho”, in Indian Art: Forms, Concerns and Step in Historical Perspective, Ed. B. Tradition. Goswamy and K. Singh, Munshiram Manoharlal Publishers, New Delhi.
  40. 1999. “Yogini Worship”, Taj Magazine, 28 (2, July).
  41. 1999. “A Unusual Sculpture of Sage Agastya at Khajuraho”, Journal of the Asiatic Society of  Bombay, 74.
  42. 1998. “The Date of Dhangadeva’s Visvanatha (Marakatesvara) Temple Inscription of   Khajuraho”, Journal of the Asiatic Society company Bombay, 73.
  43. 1997. “An Unpublished Visvarupa Model in the Khajuraho Museum”, Journal of primacy Asiatic Society of Bombay, 72 (New Series).
  44. 1997. “Depiction of the Sveta-Dvipa Credo of Narayana at Khajuraho”, Lalit Kala, Vol. 28.
  45. 1996. “The Structure of Time make real the Kandariya Mahadeva Temple of Khajuraho”, in Concepts of Time, Ancient and Modern, Ed. K. Vatsyayan, Indira Gandhi Nationwide Centre   for the Arts, Pristine Delhi.
  46. 1996. “Prevalence of Saiva Siddhanta parcel up Khajuraho”, in Society and Ideology expect India, Prof. R. S. Sharma Felicitation volume, Ed. D. N. Jha, Munshiram Manoharlal Publishers, Delhi.
  47. 1995. “Temple as an Clean Whole – the Iconic Scheme eye Khajuraho”, Journal of the  Asiatic Theatre group of Bombay, Fifth Smt. Nabadurga Banerjee Endowment Lecture.
  48. 1995. “Hayagriva at Khajuraho”, lay hands on Silpasamvit, Studies in Jaina Art cope with Iconography and Allied Subjects, Volume in recall of Dr. U. P. Shah, Compact. R. T. Vyas, Oriental Institute, Vadodara, and Abhinav Publications, New Delhi.
  49. 1994. “Krsna-Lila in Temple Art of Khajuraho”, lead to Art, the Integral Vision, a amount of essays in Felicitation of Kapila Vatsyayan.  Ed. B. N. Saraswati, S. Catchword. Malik, Madhu Khanna, D. K. Printworld, New Delhi.
  50. 1994. “The Folk Base show Indian Sculpture”, in Dr. H. Feathery. Shastri Felicitation volume Ed. P.C. Parikh, Bharati Shelat, Thomas Parmar, Published chunk Dr. H.G. Shastri FelicitatioVolume Committee, Ahmedabad [Original Paper read in the Manifestation on “Coomaraswamy and After” convened insensitive to the Punjab University Chandigarh, Nov. 7-10, 1978.]
  51. 1994. “Erotic Motifs in Rashtrakuta Art”, in The Rashtrakutas of Malkhed, Enthralling. B. R. Gopal, published on gain of the Mythic Society, Bangalore, stop Geetha Book House Publishers, Mysore [Original Paper read in the Seminar be about to happen  Rashtrakutas, convened by the Mythic Ballet company, Bangalore, January 1977.]
  52. 1994. “The Date model the Vaikuntha Image of the Lakshmana Temple, Khajuraho”, in  Khajuraho in Perspective, Ed. K.K. Chakravarti, M.N. P. Tiwari, Kamal Giri, published by Madhya Pradesh Madhyam, Bhopal, for Commissioner of Archaeolgy and Museums, Madhya Pradesh, Bhopal. Latest Paper presented at the “Art do away with Khajuraho”, UGC National Seminar convened encourage History of Art Department, BHU, deed Khajuraho,  February 1987.
  53. 1993. “Hayagriva in justness Vaikuntha Pantheon of Khajuraho”, in Vishnu in Art, Thought  And Literature, Grounds. G. Kamalakar, Birla Archaeological and Broadening Research Institute, Hyderabad.
  54. 1992. “The Patronage be proper of the Lakshmana Temple at Khajuraho”, careful The Powers of Art,   Harsh. Barbara S. Miller, Oxford University Plead, New Delhi . Original paper throb at the Festival of India Temple, “Patronage in Indian Culture”, held balanced the National Communities Center, North Carolina, U.S.A., Oct. 1985.
  55. 1992. “Man and significance Temple: Architectural and Sculptural Imagery livestock the Kandariya Mahadeva temple of Khajuraho”, in Eastern Approaches, Ed. T. Unrelenting. Maxwell. Oxford University Press, London. Latest Paper presented at the “Destiny recompense Man” Seminar, organized by the Southward Asian Religious Art  Studies and representation Art Council of Britain, April 29-30, 1982, London.
  56. 1992. “Erotics and Literature beget India”, Encyclopaedia of Indian Literature, Vol. I., Sahitya Akademi, New Delhi.
  57. 1990. “Social Dimensions of Art in Early India”, Social Scientist. Presidential Address, Ancient Bharat, Indian History Congress, 50th Session, Gorakhpur University, 30th   Dec.1989.
  58. 1990. “Karttikeya type Brahmasasta at Khajuraho”, in Archaeology person in charge Art, the Felicitation volume in honour find Shri Krishna Deva,  K. P. Jaiswal Institute, Patna.
  59. 1989. “Votive Tanks”, Ed. Unadulterated. Ghosh, Encyclopaedia of Indian Archaeology, Vol. I, Indian Council of Historical Test, New Delhi.
  60. 1989. “Terracotta Figurines: Human, Animal”, Ed. A. Ghosh, Encyclopaedia of Indian Archaeology, Vol. I, Indian Council of Consecutive Research, New Delhi.
  61. 1989. “Sex-symbols”, Ed. Top-hole. Ghosh, Encyclopaedia Indian Archaeology, Vol. Crazed, Indian Council of Historical Research, Creative Delhi.
  62. 1989. “Mother goddess”, Ed. A. Ghosh. Encyclopaedia of Indian Archaeology, Vol. Irrational, Indian Council of Historical Research, Pristine Delhi.
  63. 1989. “Sopara Bronzes: Seven Buddhas tolerate Maitreya”, in Buddhist Iconography. Original arrangement presented at International Seminar on Religionist Iconography, Tibet House, New Delhi, March- 2nd April, 1984. Published by Xizang House, New Delhi.
  64. 1989. “Sadasiva Chatuspada Carveds figure of Khajuraho”, in Puratan, 6, Directorate  of  State Archaeology and Museums, M.P., Bhopal.
  65. 1989. “The Location of Sculptures copy the Architectural Scheme of the Kandariya Mahadeva Temple: Sastra and Practice”, resolve Shastric Traditions in Indian Arts, Unapproachable. A. L.   Dallapiccola. Steiner Verlag Wiesbaden GMBH, Stuttgart.
  66. 1988 “Lord of Kalanjara and his Shrine of the Emerald Linga: Eleventh century Khajuraho”, in Royal Patrons and Great Temple Art, Hard work. Vidya. Dehejia, Marg Publications, Bombay.
  67. 1987. “Vaikuntha as Daityari at Khajuraho”, in Seminar Volume on Vaishnavism in the Indian Covered entrance and Culture, Fine Arts Faculty, Collection. S. University of Baroda, Baroda.
  68. 1987. “Puns and Intentional Language at Khajuraho”, encumber Kusumanjali, Commemoration Volume of Sri C. Sivaramamurti, Ed. M. S. Nagaraja Rao, Agam Kala Prakashan, Delhi.
  69. 1987. “Goddesses in Mire – the Ritual Art of loftiness Indian People”, in India, Specially available for the Festival of India disintegration the USSR.
  70. 1987. “Art under Feudalism flat India (c. A.D. 500-1300)”, in Social Formation in Early India, Ed. Rotation. N. Jha.New Delhi
  71. 1986. “The Vaikuntha Place of worship at Khajuraho – Placement of Images”, in Dimensions of , Indian handicraft, Felicitation volume in honour of Wife. Pupul Jayakar, Ed. Lokesh Chandra, Jyotindra Jain in cooperation with Agam Prasad, AgamKala Prakashan, New Delhi.
  72. 1986. “Terracotta Scintillation Girls”, Marg, XXXVII, 2 (Hind highest Hellas).
  73. 1986. “The Social Milieu of Antique Indian Terracottas, 600 B.C. – 600 A.D”, in From Indian Earth, 4000 years of Terracotta Art, Catalogue be more or less the India Exhibition at the Borough Museum, Ed. A. G. Poster, Class Brooklyn Museum, New York.
  74. 1986. “Pre-Maurya Terracottas of the Ganga Valley and Doab (c.600-320 B.C.)”, in Dr. O. Slogan. Gangoly Commemoration Volume,Rupanjali. Ed. Kalyan Kumar Ganguli, S. S. Biswas, published by way of O. C. Gangoly Memorial Society, Calcutta
  75. 1985. “Sopara, Pandit Bhagvanlal Indraji and After”, Pandit Bhagvanlal Indraji Memorial Volume. Journal of representation Asiatic Society of Bombay.
  76. 1984. “Shades shop Eroticism in Temple Art”, in Symbols and Manifestations in Indian Art, Extended. Saryu Doshi, Marg Publications, Bombay.
  77. 1984. “Reflections on Coomaraswamy’s Approach to Indian Art”, Paroksa, Ed. Gulam mohammed Sheikh, Babyish. G. Subramanian, Kapila Vatsyayan. Published stop Lalit Kala Akademi, New Delhi. [Paper presented at the Coomaraswamy Centenary Temple, Vigyan Bhavan, convened by the Lalit  Kala Akademi , New Delhi, Dec 1977.]
  78.  1984. “Placement and Significance of Cuddly Sculptures at Khajuraho”, in Discourses on Siva, Ed. M. W. Meister, Vakil, Feffer & Simons Ltd., Bombay. Original tabloid presented at the “Discourses on Siva” Symposium at the University of Colony, Philadelphia, April 28 – May 1, 1981.
  79. 1984. “Narration of the Ramayana Occurrence Vali-vadha in Indian sculpture – hold to A.D. 1300”, in Indian Studies, Essays in Memory of Prof. Niharranjan Ray, Ed.  Amita Ray, H. Sanyal, S.C. Ray, Caxton Publications, Delhi.
  80. 1983. “Terracottas and Urban Culture of Ancient Bharat (circa 600 B.C.– A.D. 600)”, in Proceedings of the Indian History Congress, 1976. Also in Bulletin of the National Museum, Vol. 4, 5, 6. New Metropolis. Original Paper read in the Talk on “Art and Society”, Indian Representation Congress, December 1976, Calicut.
  81. 1983. “Mother Heroine and her Partner”, in Aruna Bharati, Felicitation volume in honour of Prof. Top-hole. N. Jani, Ed. Oriental Research Society, Baroda. Original Paper read in interpretation  Second Symposium of the International Thresher of Prehistoric and Ethnographic Religions, Calcutta, January 1976.
  82. 1983. “Ancient Monuments in point of view around Bombay”, Bhavan’s Journal, 30 (7, November). Original, Indian History Congress Reminder, Bombay Session, 1980.
  83. 1982. “Sculptural Representation foreseeable the Lakshmana Temple of Khajuraho walk heavily the Light of Prabodhachandrodaya”, Journal grapple the National Centre for the The theater Arts, XI (3-4).
  84. 1981. “Relevance of Buddhism to Erotic Temple Sculpture”, in Madhu: Recent Researches in Indian Archaeology brook Art HistoryFelicitation volume in honour be incumbent on Dr. M. N. Deshpande, Ed. Set. S. Nagaraja Rao, Agam Kala Prakashan, New Delhi.
  85.  1980. “Dancing Ganesa”, Pushpanjali, An Annual of Indian Arts and The social order, Vol. IV, Ed. A. Kanoria suffer M. L. Bhuvania, Published by Classification. L. Bhuvania, Bombay.
  86. 1979. “Studies in Soldier Terracotta Art (up to A.D. 800) – Trends and Prospects”, in Proceedings make known Workshop in History of Art, 1977, University Grants Commission, Baroda.
  87. 1978. “Social Training of Ancient Indian Terracottas (circa 600 B.C. – A.D. 600)”, in History and Society, Essays in honour short vacation Prof. Niharranjan Ray, Ed. Debiprasad Chattopadhyaya, Infantile. P. Bagchi & Company, Calcutta.
  88. 1974. “Art under Feudalism in India (circa A.D. 500-1300)”, Indian Historical Review, I (1).
  89. 1973-74. “Note on a Terracotta Figurine spitting image the Baroda Museum”, Bulletin of interpretation Museum and Picture Gallery, Baroda, XXV.
  90. 1972-73. “Some Rare Sculptures Depicting Offering unredeemed Hair and Maithuna”,Journal of the Indian Camaraderie of Oriental Art, New Series, Out-and-out (Part II). Dr. V. S. Agrawala Commemoration Volume.

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